A woman walks into a New York gallery with a cache of unknown masterworks. Thus begins a story of art world greed, willfulness and a high-stakes con.

A public flame-out at a New York media company forces 20-something alcoholic Samantha Fink to seize the only chance she has to sober up and avoid jail time: moving back home with her overbearing mother, Carol. Back in Greater Boston, Samantha restarts her life, working at the local grocery store while surrounded by all of the triggers that made her drink in the first place.

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael (The New Yorker) called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, FIDDLER’S JOURNEY TO THE BIG SCREEN captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. Oscar-nominated filmmaker Daniel Raim puts us in the director’s chair and in Jewison’s heart and mind, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol (Tevye), composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small (Tevye’s daughters). The film explores how the experience of making Fiddler deepened Jewison as an artist and revived his soul.

Robert Durst, scion of one of New York’s billionaire real estate families, has been accused of three murders but never convicted. Brilliant, reclusive, and the subject of relentless media scrutiny, he’s never spoken publicly—until now. During interviews with Andrew Jarecki, he reveals secrets of the case that baffled authorities for 30 years. In 2010, Jarecki made the narrative film All Good Things based on the infamous story of Robert Durst. After Durst saw the film, he contacted Jarecki wanting to tell his story. What began as a feature documentary ultimately became a six-part series as more and more of his incredible story was revealed.

The story of New York lawyer Hugo who heads to Milwaukee with his best friend Madelyn to spend the holidays with his mom Kate, who is also in charge of the local Christmas celebrations. Ever the matchmaker, Kate arranges for Hugo to run into Patrick, Hugo’s high school friend and secret crush, who has recently returned after a successful stint in Silicon Valley. As they enjoy the local holiday festivities together, Hugo and Patrick’s attraction to each other is undeniable and it looks as though Kate’s Santa-style matchmaking is a success. But as Hugo receives word of a big promotion requiring a move to London, he must decide what is most important to him.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion “houses,” from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza — PARIS IS BURNING brings it, celebrating the joy of movement, the force of eloquence, and the draw of community.

Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.

Made for TV movie based on a true story, an aspiring New York City sportscaster’s life is on the slow track until he serendipitously gets the old cell phone number of a basketball superstar. Will the number be his ticket to success or a path to destruction?

A pint-sized cast illuminates this musical that is unlike any other ever made. Set in 1929 New York City, Bugsy Malone captures a flashy world of would-be hoodlums, showgirls, and dreamers – all played by child actors! As Tallulah, the sassy girlfriend of the owner of Fat Sam’s Grand Slam Speakeasy, future superstar Jodie Foster dances and sings her way into our hearts.

This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village, New York, USA. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, HIV/AIDS, and modern day life.

Chelsea is an in-demand call girl whose $2,000 an hour price tag allows her to live in New York’s lap of luxury. Besides her beauty and sexual skill, Chelsea offers her clients companionship and conversation, or, as she dubs it, “the girlfriend experience.” With her successful business and a devoted, live-in boyfriend, Chelsea thinks she has it made… until a new client rocks her world.

A writer from New York moves to Los Angeles with his fiancé to adapt a children’s book for a Hollywood producer. A series of meetings begin between the author of the book, the director, and other actors, each having their own take on the direction of the script. The writer and his financier are constantly fighting as the work becomes more and more tiring and gruesome. Fearing medication has made him mediocre, the writer is faced with a choice between having a happy life and being a successful writer in Hollywood.

Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Organized through Channel 101 and a bunch of other places, we’re 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop up into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.

Nobody likes to be made a fool of, especially no the mafia. So, when it comes to light that a number of men from The Mob in New York have fallen for a Russian mail-order bride, who has blatantly ripped each of them off, their boss is not impressed. In fact, Tony Santini thinks the only way to prove that you shouldn’t mess with the mob is to send his nephew to Russia to bring back the beautiful but manipulative Nina.

A local New York City mobster named Tony Thick is expecting $5 million in cash to be delivered by Lenny Long from Los Angeles. Soon enough he realizes Lenny is missing, and it’s unknown whether he is dead or he stole the money and ran away. Thick sends Shady, his made man, to L.A. to look for the missing cash. In his search, Shady meets Lenny’s baby-desperate wife Sally, his ditsy mistress Eve, his muscle headed brother Louis, his quirky neurosurgeon Dr. Hooker, and a crew of other nut jobs. None of them know where Lenny is or what happened to him, but they all know that Lenny promised them a share of the money. With Lenny discovered in the San Fernandino hospital, drifting in and out of a coma, Shady has to discover where the money is.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

Frankie Madison returns to New York after 14 years in prison. Noll Turner, Frankie’s former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal ’50:50′ agreement they made when he was caught and Noll got away. Fat chance! Can Frankie, who knows only the strong-arm methods of Prohibition, win out against Big Business? It’ll be tough…even with the unlikely alliance of torch singer Kay (Noll’s ex-girlfriend).

Filmed entirely on location in East Hampton, Long Island, “Last Summer in the Hamptons” concerns a large theatrical family spending the last weekend of their summer together at the decades-old family retreat which economic circumstances have forced them to put on the market. Victoria Foyt plays a young Hollywood actress whose visit wreaks havoc on the stellar group of family and friends – led by matriarch Viveca Lindfors and made up of an extraordinary mix of prominent New York actors, directors, and playwrights. In the course of a very unusual weekend, comic as well as serious situations arise, and the family’s secrets – of which there are many – begin to unravel.

Alana and Lori were just two LGBT 20-somethings looking for love on Tinder when a casual right swipe made a match that would bind them together forever. Within a few weeks of meeting, Lori learned that Alana suffers from Lupus and has been waiting on the kidney transplant list for years. The state of New York, where Alana lives, has the lowest number of organ donors in the country, and because of her complex medical background, her chances of finding a donor match were incredibly slim. Against all odds, Lori found that she was a candidate for donation and decided to give Alana the ultimate gift. If the transplant is a success, Alana will triple her life expectancy and be freed from nightly dialysis. But if it fails, Lori will go through risky surgery and lose a healthy organ in vain. BEAN is an emotional medical journey for two families that tests the true limits of love and sacrifice.

Christmas is fast approaching and years of long workdays employed at New York’s top corporate law firm are about to pay off now that Lucy Toomey will be made partner after the New Year. However, when Alice, her older sister with special needs, unexpectedly passes away, Lucy returns back to Nilson’s Bay, Wis., to attend the funeral and handle her estate. While Lucy dreads returning to her childhood home, she also feels real sorrow that she was too busy to take her sister’s last call. Once back in Nilson’s Bay, Lucy meets Peter, her old high school sweetheart and Alice’s former attorney, who informs her of the terms of Alice’s eccentric will that states in order for Lucy to inherit the family home, she must live there for 30 days through the holidays.

Bettie Page grew up in a conservative religious family in Tennessee and became a photo model sensation in 1950s New York. Bettie’s legendary pin-up photos made her the target of a Senate investigation into pornography, and transformed her into an erotic icon who continues to enthrall fans to this day.

This documentary looks at the factors that led to the 2008 financial crisis and the efforts made by then Treasury Secretary Henry Paulson, Federal Reserve Bank of New York President Timothy Geithner, and Federal Reserve Chair Ben Bernanke to save the United States from an economic collapse.

Nile Rodgers has sold over 100 million records. As the co-founder, songwriter, producer and guitarist of Chic he helped define the sound of the ’70s, as disco took the world by storm. Nile and musical partner Bernard Edwards captured the essence of New York’s iconic Studio 54 creating hit after hit for bands like Chic & Sister Sledge. But the music that had made Chic would also break them, thanks to the ‘Disco Sucks’ backlash. What could have been the end for Nile Rodgers would actually be a new beginning as a producer of some of the biggest hits of the 80s for the likes of Diana Ross, David Bowie, Madonna and Duran Duran. In this profile documentary, the ever-charismatic Rodgers contributes an engaging and often frank interview to tell the tale of how, born to Beatnik, heroin-addict parents in New York, he picked up a guitar as a teenager and embarked on a journey to learn his craft as a musician, before becoming one of disco’s most successful artists.

A review of the wild New York City nightlife of the 90s. The cast of characters who made up the infamous Club Kids speak candidly about that era, culminating with Alig’s release from incarceration.

Director Paul Mazursky (Scenes From a Mall) takes a bite out of Hollywood with a hilarious look at the artistic sell-out. Starring Danny Aiello, Dyan Cannon Shelly Winters, Jerry Stiller, Chris Penn, and Ally Sheedy, this merciless comedy exposes the underside of themovie land commercialism with a crisp sense of humor, a knowing edge, and supporting cast boasting the talents of Clotilde Courau, Barry Miller, Little Richard, Spalding Gray, and a host of celebrity cameos. Harry Stone (Aiello) always dreamed of making “The Great American Movie.” Instead he made The Pickle – a teenage sci-fi flick about a flying cucumber. Harry just wanted to get out of debt;and now everyone he’s ever known, loved and neglected is standing in line for tickets. In the angst-filled hours before the lights go down for the New York premiere, his mother, children, agent, ex-wives and girlfriend lend their support in this high-pressure comedy. Harry has no choice but to pucker up and laugh along.

A restaurant manager in New York City has made a deal with a demonic entity in order to bolster his business. What could possibly go wrong?